[free-sklyarov] Counter-Terminology
Bob Smart
bobds at blorch.org
Mon Jul 30 17:46:58 PDT 2001
On Monday 30 July 2001 08:52, you wrote:
> I really do not understand what is the difference between copy and other
> use
>
> If you think you have the right to restict copying then logically
> you have the right to apply many other kinds of restriction
> (long long list of what users of your property can think of)
Logically, perhaps--but historically, no. There has traditionally been a
distinction between copying and use, and now with DMCA that distinction has
been erased. That's a pretty major shift in approach, and it appears that AT
BEST the shift was done without carefully thinking it through. Upending
well-established, longstanding legal tradition is not something to be
undertaken on a whim and certainly not without careful analysis of the
implications of the change--but that's exactly what has happened here.
And speaking of the consequences of tampering with longstanding historical
tradition, I can't help noticing that the whole CONCEPT of "intellectual
property" is, in the overall scale of history, quite a recent one. For
thousands of years, if you heard a song and then sang it yourself the next
day, or if you heard a joke and then repeated it to someone else, you didn't
owe anybody any payment for the material (maybe you had to buy dinner for the
original performer, but there was no concept of "royalties" or "residuals"
involved). Great stories were told and retold by generations of bards, and
that period of human history gave us the Golden Age classics of ancient
Greece, Beowulf and Gilgamesh and the Mabinogion and the Song of
Roland...some of the most magnificent art and music that has ever been
produced, and a flowering of intellectual and creative effort that led
DIRECTLY to the Renaissance and all the artistic and creative glory of the
modern world.
Now that we have strict "intellectual property" regulations, we have...what?
Baywatch? Boy bands? It's not at all clear to me that this modern
innovation of "copyright" is at all beneficial or desirable, other than to
parasites who think they're entitled to make a living by selling other
people's work while reserving the greater share of the proceeds for
themselves and only dribbling out the bare minimum to the people who actually
wrote and painted and composed the material.
But hey, maybe that's just me and my personal inability to accept change.
I'm still not quite ready to accept the Norman Invasion, either.
--
What I wrote above is hereby dedicated to the public domain and may be freely
used, in whole or in part, with or without attribution.
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